Samajatil upsthit dalit, piditanchya vyatha, vedanancha sahityat prabhavipane mandanyache kam Annabhau SAthe yanni kelele ahe.

Apalya deshat mahapurishani parivartanvadi vicharachi vaicharik mandani keli. mahapurushanni bharatiya samajala vyapak drushti aani vyapak vichar pranali dili.

The second half of the nineteenth century marked the beginning of industrialization in India and gave rise to the capitalist and working class. The working class became the victim of the capitalist class who in the process of maximizing their profits exploited them. This exploitation of the workers led to the rise of labour movement in India during the last quarter of nineteenth century. Number of leaders and personalities addressed the issues of workers and played an important role in Indian labour movement. Anna Bhau Sathe was one of the prominent figures amongst them. He expressed his views on various labour issues and problems through his writings and speeches. His philosophy of emancipation of workers runs through several genres of literature like novels, short stories, ballads (Powadas), folk dramas (Loknatya), poems etc. His writings and plays proved to be the catalyst for the labour movement of the twentieth century. His writings reflect a deep sensitivity to the questions of subaltern groups which includes working class, untouchables, women etc. As most of his writings are from literary perspectives, it is essential to contextualize his works and contribution to labour movement in a historical perspective. Though Anna Bhau played phenomenal role towards Indian labour movement, it has gone un-noticed by history scholarship and is excluded from the mainstream history of Indian labour movement. This paper is an attempt to understand his varied contribution towards the Indian labour movement through his varied forms of literature.

Sahityavadi ki upadhi ke davedar aadaraniya Annabhau Sathe keval Maharashtra bhar ke liye nahi, balki bharatbhumi ke bahar aanter rastriya star pa , Rashia tak apai lekhani ke balbute par pahuchanevale ekmatra* sahityakar hai.

The present study will focus on Fakira as a rebellious personality , Fakira is a protagonist character in Fakira novel. Fakira is one of the famous novels written by Anna Bhau Sathe. Maharashtra government has awarded a prize to novel in 1959. This novel is based on sufferings and humilitions in the course of his life.The novel narrates Fakira’s life who is an outcast. A novel also depicts Fakira’s fighting spirit against the British government and its injustices.

Annabhau Sathe ek prabhavant lekhak tatha Samajik vichavant manun Maharashtratach navhe tar jagabhar olakhalya jatat. Annabhauncha jivanpravas, tranche anubhav, tyanni nirman kelele sahitya mhanaje ek yetihasik theva aahe.

Marathi sahityachya khetrat Anna bhau sathe yanche vegalya valanache aani vegalya dhangache aahe. He sahitya manavi manala odh lavate, utsukata nirman karit parinam sadhate

Marksvad aani Aambedka hi jivandarshan manavatvadacha purskar karanari jivandarshane ho

Marathi sahityachya drushtine sathottari kalkhand lakshaniya tharlela aahe. Ya kalat dalit gramin, shrivadi aadivasi ase vividh sahityapravah marathi sahitya vishwat udyas aale.

The literature of Anna Bhau Sathe does not show the imaginary affairs of human life rather it is the reflection of authentic life. Lives of labourers, peasants, nomadic and dalits have been meticulously observed and represented in terms of his literature. In the given paper I will try to give some of the instances of realism through his literature. The literature of Anna Bahu Sathe asks the questions ‘Who are we?’ ‘what is our place in the Indian society?’ ‘why is our situation so marginalized?’ ‘where are our roots to be found?

“Forge ahead! Change this world with a big blow. This was what Bhimrao said. You are as strong as an elephant. Why are you then trapped in the morass of slavery? Shun lethargy, shake up your body, come out and pounce (on your enemy).” – Annabhau Sathe Under the norms of the caste system, Dalits were denied the pen. Before the advent of Dalit literature in India, much of Dalit history was oral in nature. Their lives were not available to them in written form, and even when available, it was a depiction by those who had no experiential connection with Dalits.It was Dr BR Ambedkar who stressed on literary assertion as a means to struggle against the caste system. Thus began the ceaseless movement of literary assertion by Dalits, who went on to write powerful stories about their lives. It marked a resurrection of their experiential world, which had been appropriated by the pens of Savarnas. Poems, stories, novels, biographies, autobiographies produced by Dalits established a new body of literature in which, for the first time, the downtrodden took centrestage. People who had been denied what humanity considers the ‘basics’, started to transform the lives of others like them, through the written word. As this movement of literary assertion by Dalits grew stronger, the unseen side of India — the side that is brutal and inhumane — became visible to the world. Maharashtra was at the forefront of this revolution that has, over the last six decades, helped transform the worldview about Dalit lives. Almost all of the writers who shaped the early theoretical discourse of Dalit literature were from Maharashtra and in this series, we revisit the lives and works of 10 distinguished Dalit writers from the state — and their impact on the literary world.

He was born on 1 August 1920, in Wategaon village, part of present-day Maharashtra's SangaliDistrict to a family that belonged to the untouchable Matang caste,AnnabhauSathe, was a social reformer Communist folk poet, and writer from Maharashtra , India Sathe was a Dalit born into the Untouchable Mang community, and his upbringing and identity were central to his writing and political activism. Sathe was a Marxist-Ambedkarmosaic, initially influenced by the Communists but he later became an Ambedkar.He is credited as a founding father of Dalit Literature Sathe wrote 35 novels in the Marathi Language. They include Fakira (1959), which is in its 19th edition and received a state government award in 1961.Sathe's use of folkloric narrative styles like powada andlavani helpedpopularise and make his work accessible to many communities. In Fakira, Sathe portrays Fakira, the protagonist, revolting against the rural orthodox system and British Raj to save his community from utter starvation. The protagonist and his community are subsequently arrested and tortured by British officers, and Fakira is eventually killed by hanging.This paper is an attempt to understand his varied contribution towards the Indian labour movement through his varied forms of literature.

Bahujan janatela manusakiche jivan jagata yave. Tyancha sarvangin vikas vhava manun Rajarshi Shahu Maharaj Vitthal Ramaji Shinde, Mahatma Jyotirao Phule aani Dr. Babasaheb Aambedkar yanche karya jase ajaramar , avismaraniya aahe tyach pramane sahitya kshetrat Anna bhau sathe yanche hi aahe.

Anna Bhau Sathe yacha janma 1 August 1920 madhe Vategaon Taluka. Valgaon Jilha Sangavi ya thikani jala. Yanchya aaiche nav Valubai tar vadilanche nav Bhaurav hote.

Anna Bhau Sathe desh din pathshala me janevale yese bahumukhi pratibha ke dhani the ki jinhone sahitya ki adhikash vaidhao par apani lekhani chalai etana hi nahi to unhone anek kshetro me apana sakriya yogdan diya.

Annabhauncha janmach bharatiya bharatiya sanskrutine ladalelya dukhi, anyay, atyachar, daridrya ityadi manavatechi avhelan asha manavvinashi vyathanchya poti janma jala.

Manavatavadi vicharo ke jannayak lokshahir Anna Bhau Sathe Maharashtra ke pragatishil samaj sudharak Mahatma Jyotiba Phule. Bharat ratna Dr. Babasaheb aambedkar yevam Rajarshi Shahu Maharaj ke rah par chalanewale samaj sudhakar the.

Bharatiya samajvyavasthavarnabhedane aani jatibhedane nirman jaleli vishamatavadi vyavastha aahe. ya anuvadi vishamatamulak samajvyavasthet manus katrutvane navhe tar jatine shreshta aani kanishtasamajala jato.

Anna Bhau Sathe bisavi shatabdi me marathi sahitya ke sarvashreshta upanyasakar hote huye bhi, mahaj dalit varga ke matanga jati me janma hua hai.

Maharashtratil Sangali jilhyatil krushna-varana nadikhoryatil valava talukyachya vahegaon lahan khedyamadhe Annabhau Sathechya Aai-vadilanni gaon sodale.

https://zenodo.org/record/7254515#.Y1lPqnZBzIU

Marathitil ek pratibhavant sahityik manun lokshahir Anna Bhau Sathe sarya maharashtrala aani maharashtrabaheril parichit aahet.

Aajachya sangitachya vikasit aani utnnat avasthet loksangitache sthan gaoun rahilele asale tari ekekali loksangitachach adhik prabhav hota.

Maharashtratil shahiri parampara aani sayukta maharashtrachi chalval ya donhi paramparet Annabhau Sathe yanche karya mahatvapurna manale jate.

Pruthvi Bhoshnag ke fun par aashrit n hokar majduro ke hatho par aadharit hai, yesa kahakar baraso se chale aa rahe dharmik mithak ko majduro ki mehanat ke sath jodanevale sahityaratna lokshahir Annabhau Sathe ek vivastariya sahityakar hai.

Ya deshatil prasthapit vyavasthetil hajaro varshapasun dharma aani paramparechya navakhali yethil anek jatinna shudra tharavun tyanche manusapan nakarale hote.

Annabhau Sathe yanchya sahityatil naika ya dalit samajatilach nahitar sarva staratil garib kutumbatil sriyanche pratinidhitva karatana disun yetat.

Prastut lekhat Anna Bhau Sathe sahityachya prayojanacha vichar karavayacha aahe. PRayojan ya sabdasathi paryayee sabda hetu, uddishta, sadhya, uddeshya ase vaparale jatat.

Annabhau Sathe aani matang samaj ase shirshak vaparun mi kahi Anna Bhau Sathenna jatit bandist karu ischit nahi tas koni karato mhatal tari tyala te shakya nahi.

AnnaBhauSathe is one of the greatest Dalit social reformers and writers who through his writings portrayed Dalit life in very apt manner. This paper is an attempt to bring forth the reflection of struggle in the life of Dalit/Downtrodden in the short-stories of AnnaBhauSathe. In the modern era, Dalit literature received its first impetus with the advent of leaders like Mahatma Phule and Dr. BabasahebAmbedkar in Maharashtra, who brought forth the issues of Dalits through their works and writings. This started a new trend in Dalit writing and inspired many Dalits to come forth with writings in Marathi, Hindi, Tamil and Punjabi

Paramparik dharmik lulyanna ched denare yetihasik vidhan nondaun jagakade dilsavastavvadi drushtikonatun bashanyache shikshan denare bharatiya samaj varna vyavasthechya hya jokhad bandat bandista asanarya samaj vyavasthene chalalelya, pilalelya lokana sanmanane abhijat vastav sahityatun ubha karanyache mahatvapurna karya sahityaratra Anna Bhau Sathe yanni kelele aapalyala disun yete.

Anna Bhau Sathe , (1 August 1920 – 18 July 1969) a social reformer, folk poet, and Dalit writer from Maharashtra, has handled every genre of literature skilfully such as novels , collections of short stories, plays, a travelogue, screenplays, folkloric narrative styles like powada and lawani and so on . Anna Bhau Sathe is the rarest of the rare example in Marathi literature of those who has contributed the brilliant literature without any formal education. His writings are not only considered as a genre of literature, but also as a way of life. It is not just a matter of ideas and fantasy but a collection of every part of real life. Before his arrival as a literary figure in Marathi literature, the literature was limited to the white- collared people where imaginary and metaphysical world was the centre point of their writings. The problems and perceptions of common men were absent in the literature. Anna Bhau Sathe effectively portrayed the common man and his sorrows, plight in Marathi literature. Sathe wrote first handed experience in his novels and celebrated the fighting spirit in their characters who work against all odds in life. He was true socialist in his personality where was fine blending of a philosopher and activist. So upliftment of downtrodden rural people is the recurrent theme of his writing. His life philosophy inspired many people to fight against social evil practices.

Maharastrachya pavitra bhumine anek thor suputranna janma dila. Tyapaiki varanechya khoryat vategavi gavkusabaher nivadungachya bannat valubai bhaurao sathe yanchya poti 1 august 1920 roji ek krantiratna janmala aale.

The present paper focuses on the life of a revolutionary poet, social reformer, and folk artist born in an untouchable Mang community, deprived of their rights. The caste system of India is the biggest threat in creation of socio-economic equality. He fought for the problems of labourers and farmers. He sings and plays musical instruments, through which he sends a message about the injustice exists in the society. He has a deep insight about the problems of the poor and untouchables who were the victims of the inequality in the society. He was of the opinion that social justice will take place only after the revolution of the working class. He was the founder of the tamasha troupe known as Lal Bavta.

Marathi vadmayachya kshetrat shahiri vadmayala ananya sadharan sthan aahe. Santachya aani panditanchya kavyapaiki agadi vegalya aani swatantra valanachi kavita mhanaje shahiri kavita hoy.

Anna Bhau Sathe , the versatile genius, is well known for his novels, short-stories, dramas and powadas. He used all generes to reflect the pain and sufferings of the downtrodden people in Indian society. Anna Bhau Sathe depicted the discrimination, sufferings and struggle for existence in the life of Dalit women through his novels and short-stories. Women in Anna Bhau’s writings are from lower class of society, they are poor, untouchables but they have special qualities that of courage, self-respect, and longing for happiness. They walk on the path of righteousness and ready to fight and remove all the odds that come in their way to live a honorable life.

Anna bhau SAthe apane kahaniyo ke madhyam se yatharthavadi chetana ko abhivyakta karanevale ek safal rachanakar hai.

Samyavadi vicharache pravartak, lokakalavant, Dr. Babasaheb Aambedkar yanchya vicharanchya aani karyacha prachar aani prasar karanyasathi 'jag badal ghaluni ghav, mala sanguni gele bhimrao' yapramane aayshyavar ghagadanare ek sujanshil lekhak, krantichi sachetan perani karanare ashtapailu kalavant, pratibhavant tharale aahe.